15 Best Sights in The Latin Quarter, Paris

Opened in 1640 and once known as the Jardin du Roi (King's Garden), this sprawling patch of greenery is a neighborhood gem. It's home to several gardens and various museums, all housed in 19th-century buildings that blend glass with ornate ironwork. The botanical and rose gardens are impressive, and plant lovers won't want to miss the towering greenhouses (serre in French)—they are filled with one of the world's most extensive collections of tropical and desert flora. If you have kids, take them to the excellent Grande Galerie de l'Évolution or one of the other natural history museums here: the Galerie de Paléontologie, replete with dinosaur and other skeletons, and the recently renovated Galerie de Minéralogie. If the kids prefer fauna, visit the Ménagerie, a small zoo founded in 1794 whose animals once fed Parisians during the 1870 Prussian siege. The star attractions are Nénette, the grande-dame orangutan from Borneo, and her swinging friends in the monkey and ape house.  If you need a break, there are three kiosk cafés in the Jardin.

Built on the ruins of Roman baths, the Hôtel de Cluny has been a museum since medievalist Alexandre Du Sommerard established his collection here in 1844. The ornate 15th-century mansion was created for the abbot of Cluny, leader of the mightiest monastery in France. Symbols of the abbot's power surround the building, from the crenellated walls that proclaimed his independence from the king to the carved Burgundian grapes twining up the entrance that symbolize his valuable vineyards. The scallop shells (coquilles St-Jacques) covering the facade are a symbol of religious pilgrimage, another important source of income for the abbot; the well-traveled pilgrimage route to Spain once ran around the corner along Rue St-Jacques. The highlight of the museum's collection is the world-famous La Dame à la Licorne (The Lady and the Unicorn) tapestry series, woven in the 16th century, probably in Belgium, and now presented in refurbished surroundings. The vermillion tapestries are an allegorical representation of the five senses. In each, a unicorn and a lion surround an elegant young woman against an elaborate millefleur (literally, "1,000 flowers") background. The enigmatic sixth tapestry is thought to be either a tribute to a sixth sense, perhaps intelligence, or a renouncement of the other senses; "To my only desire" is inscribed at the top. The collection also includes the original sculpted heads of the Kings of Israel and Judah from Notre-Dame, decapitated during the Revolution and discovered in 1977 in the basement of a French bank. The frigidarium is a stunning reminder of the city's cold-water Roman baths; the soaring space, painstakingly renovated, houses temporary exhibits. Also notable is the pocket-size chapel with its elaborate Gothic ceiling. Outside, in Place Paul Painlevé, is a charming medieval-style garden where you can see flora depicted in the unicorn tapestries. The English audio guide (€3) is highly recommended. For a different kind of auditory experience, check the event listings; concerts of medieval music are often staged in the evening, Sunday afternoons, and Monday at lunchtime.

Rome has St. Peter's, London has St. Paul's, and Paris has the Panthéon, whose enormous dome dominates the Left Bank. Built as the church of Ste-Geneviève, the patron saint of Paris, it was later converted to an all-star mausoleum for some of France's biggest names, including Voltaire, Zola, Dumas, Rousseau, and Hugo. Pierre and Marie Curie were reinterred here together in 1995, and feminist-politician Simone Veil became only the fifth woman in this illustrious group when she was entombed in 2018. Begun in 1764, the building was almost complete when the French Revolution erupted. By then, architect Jacques-German Soufflot had died—supposedly from worrying that the 220-foot-high dome would collapse. He needn't have fretted: the dome was so perfect that Foucault used it in his famous pendulum test to prove the Earth rotates on its axis. Today the crypt, nave, and dome still sparkle (the latter offering great views), and Foucault's pendulum still holds pride of place on the main floor, slowly swinging in its clockwise direction and reminding of us of Earth's eternal spin.

This winding cobblestone street is one of the city's oldest and was once a Roman road leading south from Lutetia (the Roman name for Paris) to Italy. The upper half is dotted with restaurants and bars that cater to tourists and students; the lower half is the setting of a lively morning market, Tuesday through Sunday. The highlight of le Mouffe, though, is the stretch in between where the shops spill into the street with luscious offerings such as roasting chickens and potatoes, rustic saucisson, pâtés, and pungent cheeses, especially at Androuët (No. 134). If you're here in the morning, Le Mouffetard Café (No. 116) is a good place to stop for a continental breakfast (about €10). If it's apéritif time, head to Place de la Contrescarpe for a cocktail, or enjoy a glass of wine at Cave La Bourgogne (No. 144). Prefer to just do a little noshing? Sample the chocolates at Mococha (No. 89) or the gelato at Gelati d'Alberto (No. 45). Note that most shops are closed on Monday.

The English-language bookstore Shakespeare and Company is one of Paris's most eccentric and lovable literary institutions. Founded by George Whitman, the maze of new and used books has offered a sense of community (and often a bed) to wandering writers since the 1950s. The store takes its name from Sylvia Beach's original Shakespeare & Co., which opened in 1919 at 12 rue d'Odéon, welcoming the likes of Ernest Hemingway, James Baldwin, and James Joyce. Beach famously bucked the system when she published Joyce's Ulysses in 1922, but her original store closed in 1941. After the war, Whitman picked up the gauntlet, naming his own bookstore after its famous predecessor.

When Whitman passed away in 2011, heavy-hearted locals left candles and flowers in front of his iconic storefront. He is buried in the literati-laden Père-Lachaise cemetery; however, his legacy lives on through his daughter Sylvia, who runs the shop and welcomes a new generation of Paris dreamers. Walk up the almost impossibly narrow stairs to the second floor and you'll still see laptops and sleeping bags tucked between the aging volumes and under dusty daybeds; it's sort of like a hippie commune. A revolving cast of characters helps out in the shop or cooks meals for fellow residents. They're in good company; Henry Miller, Samuel Beckett, and William Burroughs are among the famous writers to benefit from the Whitman family hospitality.

Today, you can still count on a couple of characters lurking in the stacks, a sometimes spacey staff, the latest titles from British presses, and hidden secondhand treasures in the odd corners and crannies. Check the website for readings and workshops throughout the week.

This Roman amphitheater, designed as a theater and circus, was almost completely destroyed by barbarians in AD 280. The site was rediscovered in 1869, and you can still see part of the stage and tiered seating. Along with the remains of the baths at Cluny, the arena constitutes rare evidence of the powerful Roman city of Lutetia that flourished on the Rive Gauche in the 3rd century. Today it's a favorite spot for picnicking, pickup soccer, or boules.

With a parade of taxidermied animals ranging from the tiniest dung beetle to the tallest giraffe, this four-story natural history museum in the Jardin des Plantes will perk up otherwise museum-weary kids. The flagship of three natural history museums in the garden, this restored 1889 building has a ceiling that changes color to suggest storms, twilight, or the hot savanna sun. Other must-sees are the gigantic skeleton of a blue whale and the stuffed royal rhino (he came from the menagerie at Versailles, where he was a pet of Louis XV). Kids ages 6 to 12 enjoy La Galerie d'Enfants (The Children's Gallery): it has bilingual interactive exhibits about the natural world. A lab stocked with microscopes often offers free workshops, and most of the staff speaks some English. Hang on to your ticket—it will get you a discount at the other museums within the Jardin des Plantes.

This eye-catching metal-and-glass tower by architect Jean Nouvel cleverly uses metal diaphragms in the shape of square Arabic-style screens to work like a camera lens, opening and closing to control the flow of sunlight. The vast cultural center's layout is a reinterpretation of the traditional enclosed Arab courtyard. Inside, there are various spaces, among them a museum that explores the culture and religion of the 22 Arab League member nations. With the addition of elements from the Louvre's holdings and private donors, the museum's impressive collection includes four floors of Islamic art, artifacts, ceramics, and textiles. There is also a performance space, a sound-and-image center, a library, and a bookstore. Temporary exhibitions usually have information and an audio guide in English. Glass elevators whisk you to the ninth floor, where you can sip mint tea in the rooftop restaurant, Le Zyriab, while feasting on one of the best views in Paris.

This awe-inspiring white mosque, built between 1922 and 1926, has tranquil arcades and a minaret decorated in the style of Moorish Spain. Enjoy sweet mint tea and an exotic pastry in the charming courtyard tea salon or tuck into some couscous in the restaurant. Prayer rooms are not open to sightseers, but there are inexpensive—and quite rustic—hammams, or Turkish steam baths, with scrubs and massages offered to women and men on separate days (check website for times and prices).

Unless your French is good enough to justify joining a 90-minute group tour (€15, by online reservation only), you can't get into the city's most famous university without a student ID—but it's still fun to hang out with the young scholars. Although La Sorbonne remains the soul of the Quartier Latin, it is only one of several campuses that make up the public Université de Paris.

Crime buffs will enjoy this museum hidden on the second floor of the 5e arrondissement's police station. Although the exhibits are in French only, the photographs, letters, drawings, and memorabilia pertaining to some of the city's most sensational crimes are easy enough to follow. Among the 2,000-odd relics you'll find a guillotine, old uniforms, and remnants of the World War II occupation—including what's left of a firing post, German machine guns, and the star insignias worn by Jews.

Tapestries have been woven at this spot in southeastern Paris, on the banks of the long-covered Bièvre River, since 1662. The Galerie des Gobelins stages exhibitions on two light-flooded floors, highlighting tapestries, furnishings, timepieces, and other treasures mostly drawn from the state collection. Guided visits to the Manufacture (in French, by reservation only) allow a fascinating look at weavers—from students to accomplished veterans—as they work on tapestries and rugs that take years to complete. Also on-site is a highly selective school that teaches weaving, plus a workshop charged with repairing and restoring furnishings belonging to the French government, which are also stored here in a vast concrete warehouse.

This square was named for Gabriel Davioud's grandiose 1860 fountain sculpture of St. Michael vanquishing Satan—a loaded political gesture from Napoléon III's go-to guy, Baron Haussmann, who hoped St-Michel would quell the Revolutionary fervor of the neighborhood. The fountain is often used as a meeting point for both local students and young tourists.

This jewel box of a church has been visited by several popes paying tribute to Ste-Geneviève (the patron saint of Paris), who was buried here before Revolutionaries burned her remains. Built on the ruins of a 6th-century abbey founded by Clovis, the first king of the Franks, it has a unique combination of Gothic, Renaissance, and early Baroque elements, which adds a certain warmth that is lacking in other Parisian churches of pure Gothic style. Here you'll find the only rood screen left in the city—an ornate 16th-century masterwork of carved stone spanning the nave like a bridge, with a spiral staircase on either side. Observe the organ (dating from 1631, it is the city's oldest), the ornate wood-carved pulpit, and the marker in the floor near the entrance that commemorates an archbishop of Paris who was stabbed to death here by a defrocked priest in 1857. Occasional guided tours (in French) are free, but a small offering is appreciated; call for exact times.

This tiny shrine in the shadow of Notre-Dame is one of the three oldest churches in Paris. Founded in 1045, it became a meeting place for university students in the 12th century and was Dante's church of choice when he was in town writing his Divine Comedy. Today's structure dates mostly from the 1600s, but keep an eye out for older pillars, which crawl with carvings of demons. You can maximize your time inside by attending one of the classical or gospel concerts frequently held here. Alternately, go outside and simply perch on a bench in the lovely garden and gaze across the Seine.